THE MANUSCRIPT AS A POINT OF ARRIVAL: THEATRE AND NARRATIVE BEFORE LEONIDAS LAMBORGHINI’S TRENTO by Repetto, Carolina Rosa

“…A genetic edition based on the search of itineraries that go and come across the generic borders between novel and theatre presents aspects of interest to think not only this Leónidas Lamborghini's particular work but also to think all his poetical and narrative work, for the procedures and formal works of rewriting are persistent along his creation.…”
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Reflexiones sobre las prácticas actorales contemporáneas. Una posible mirada sobre el teatro independiente en Córdoba (Argentina) by Macheret, Gabriela

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The Scene of Fear: Possibility of an Aristotelian Reception of Contemporary Terrorism by Tillería Aqueveque, Leopoldo

“…Methodologically, four terrorist actions of this century have been chosen in which this "aesthetic fear" would clearly occur, above all because of the transcendental role of technology in them: 9/11, the seizure of the Dubrovkade theatre in Moscow, the execution of hostages by the Islamic State and the Christchurch massacre last March. …”
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Artes diversos: performances de Felisa Crítica en los mundos del cine y del teatro by Garrido, Jimena Ines, Tamagnini, María Lucía

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