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  1. 1

    The utilization of indigenous designs in the collections of the Museo Etnográfico at the University of Buenos Aires at the beginning of XX century: actors, activities and objects by Pegoraro, Andrea

    Published 2017
    “…While the Museum arranged school visits and groups of university students and artists in order to record indigenous motifs from artistic pieces, schools and workshops of weaving led by Clemente Onelli were created. …”
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    info:eu-repo/semantics/article
  2. 2

    El uso de motivos indígenas de colecciones del Museo Etnográfico de la UBA en los inicios del Siglo XX: actores, actividades y objetos / THE UTILIZATION OF INDIGENOUS DESIGNS IN TH... by Pegoraro, Andrea

    Published 2017
    “…A su vez, todo esto se combinó con un programa similar impulsado por la Liga Patriótica Argentina, que a través de las Exposiciones de Telares, presentaba todos los años motivos de piezas indígenas, tanto arqueológicas como etnográficas, extraídos de las cerámicas y tejidos de los museos para que fueran aprendidos y reproducidos por tejedoras del interior del país.Palabras claves: Museo Etnográfico; motivos indígenas; textiles; objetos etnográficos; Clemente Onelli; Liga Patriótica Argentina.AbstractThis article focuses on the use of the collections of the Ethnographic Museum during the first decades of the twentieth century, in a context of recovering indigenous “art” representing the Americas and local art, This event was also accompanied by the development of production spaces and tissue exhibitions inspired partly by motifs or designs of objects stored in Argentine museums.While the Museum arranged school visits and groups of university students and artists in order to record indigenous motifs from artistic pieces, schools and workshops of weaving led by Clemente Onelli were created. …”
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    info:eu-repo/semantics/article
  3. 3

    Frida Kalho: the look of cinema by Scotto Di Vettimo, Delphine

    Published 2020
    “…The film biography titled Frida [2002] produced by the American director and director Julie Taymor, relates the life of the Mexican painter whilebeing inspired mainly by the book which devoted Hayden Herrera to him. …”
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