A knife at the heart. Gaspar Noé: filmmaker of a contemporary social? The tragedy of a man (alone) in the tragedy of the century by Broda, Vladimir

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Representations, meanings and senses when tasting a cup of coffee on the big screen by Díaz Boada, Sandro Alberto, Silva Arias, Catalina

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Cinema in the Vidigal School A philosophy of struggle and resistance in the favela by Fresquet, Adriana, Guedes, Marta

“…The Djalma School of Cinema/CINEAD investigated, with its filmmaking action shared between the teacher and students, the history of the Vidigal favela, Rio de Janeiro. …”
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Peirce’s secondness in true crime documentaries. Annotations on The Jinx: The Life and Death of Robert Durst by López Delacruz, Santiago Martín

“…Through the case study of The Jinx: the life and death of Robert Durst, a true crime documentary that has had important relevance in the recent public and judicial sphere, we propose to analyze the link between the documentary and reality from the triadic model of the sign proposed by Charles Sanders Peirce, and specifically, on how secondness is a mode of meaning that gives documentary filmmaking the ability to transfer the textures of reality to an indexical level.…”
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Emerge. The traumatic image in Gus Van Sant by Hammerli, Frédérique

“…It is difficult to ignore the recurrence of trauma in the filmmaker’s work, from the very first films to the last. …”
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The sex’s choice by Álvarez Villanueva, Margarita

“…XXY, is a dramatic film from the Argentinian filmmaker Lucia Puenzo, which is the story of Alex, a teenager of fifteen years old, who is affected by their intersex condition. …”
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The ethics of representation in documentary film by Lanza, Pablo

“…Unlike fiction films, documentary refers to reality with the intention of “expressing truth”, which is why filmmakers have an obligation to both viewers (that represented facts are true) and to the subjects / characters. …”
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Moral and Traveling Ethical commitment and formal statements in Cahiers du cinéma by Oubiña, David

“…Where does a filmmaker’s ethical commitment lie? In his intention or in his style? …”
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Les choses humaines by Widmer, Vania

“…Through the examination of the narrative and comments made by the filmmaker himself, sexual and gender violence is explored within the framework of a specific family and social culture.…”
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A country to eat. Identity and gastronomy in Bigas Luna’s cinema by Pavés, Gonzalo

“…Bigas Luna was undoubtedly one of the most charismatic, original and brilliant filmmakers of contemporary Spanish cinema. Over nearly four decades of intense creative work where he combined his passion for painting with various film projects, the filmmaker built a cinematic universe where it was possible to distinguish some recurring themes. …”
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Put politics, ethics and aesthetics in crisis by Bernateau, Isée

“…Theplot presents the increscendo of violence, which the Italian filmmaker sets in a completely different framework from the original. …”
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Los deseos concebidos by Radiszcz, Esteban

“…In fact, contrary to the hypnotic tyranny of the film cultural industry, the film’s oneiric dimension decentralises the image that, disseminated according to its deviation between the interstices of the images, dislocates the uniformity of the image offered by the Dream Factory (Ehrenburg). The Chilean filmmaker Cristián Sanchez’s film Los deseos concebidos shows precisely this oneiric subversion that, as much by its diegesis as by its treatment of the images, by the images and among the images, resists to make of the film “only a dream”.…”
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Under the sign of a wild god: contemporary scenarios of the superhero by Pintor Iranzo, Ivan

“…Both the contemporary singularities of the mutant, on the one hand, and the unorthodox approaches to the superhero by the filmmaker Manoj Night Shyamalan constitute a philosophical, ethical and mythological investigation of the political, social and perceptive devices that accompany the legacy of this tradition born at the same time that the adventurous comic-strips of the thirties…”
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Immortality as freedom. A cinematographic contrast by Rodríguez Lanuza, Luis Fernando

“…This article seeks to contrast the libertarian ambitions of two great contemporary filmmakers -Andrei Tarkovsky and Lars von Trier- through a sample of their work, and taking into account the ethical resonances of their productions. …”
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Psychoanalytic notes on memory in first-person documentary cinema by Hernández Arreygue, Juan Carlos, Jacobo Jacobo, Martín

“…This with the purpose of expanding the referential framework in which first-person documentary filmmakers work, since a large number of these works have focused on creating personal audiovisual narratives where their memories are the launching point to talk about events that have become traumatic. …”
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We should stop talking about Benjamin for two years. Art, technique and mass by Greco, Mauro

“…In third place, I will develop the reflections about cinema of other author, Jean Epstetin, filmmaker and philosopher of the movies, attending to the possible similitude in the ways of thinking the cinema as technique. …”
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Documentary film and genocide. Some ethical problem by Zylberman, Lior

“…Documentary theorists such as Brian Winston, Carl Plantinga, and Bill Nichols have set out two main axes around ethics and documentary: the duties of the filmmaker towards the spectator –in terms of truth-falsehood– and towards the subjects represented. …”
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