- Psicoanálisis 4
- Psychoanalysis 4
- Cine 3
- Cinema 2
- Creative process 2
- Trauma 2
- Acting out 1
- Bigas Luna 1
- Cine español 1
- Cineterapia 1
- Collective inscription of the trauma 1
- Dream 1
- Fantasma 1
- Feminine position 1
- Figurabilidad 1
- Film Therapy 1
- Gastronomy 1
- Gastronomía 1
- Hablanteser 1
- Identidad 1
- Identity 1
- Image/Imaginary 1
- Imagen/Imaginario 1
- Inscripción colectiva del trauma 1
- Methodology 1
- Metodología 1
- Phantasy 1
- Posición femenina 1
- Proceso crador 1
- Proceso creador 1
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1
The hypothesis of the hidden painting
Published 2018“…On the other hand, Raul Ruiz seems to make rebuffs from the phantasmal images of Klossowsky, revealing the missing element in the set of empty and suspended icons we find in the “hypothesis of the stolen painting”. Lure or necessity, the construction of an image-movement as the basis of a narrative allows to integrate the experience, including that of trauma, deploying also instances of social recognition, an individual novel, collective myths, of a culture and a history. …”
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2
Frida Kalho: the look of cinema
Published 2020“…It recounts the tumultuous life of the artist since his young student life,his accident and his passionate relationship with the muralist Diego Rivera.Numerous references to Frida Kahlo’s paintings are included in the scenography and recall the richness and complexity of her work: more than onehundred and forty paintings, of which fifty are self-portraits, which come in different themes: politics, Mexicanism, love, nature, suffering, femininity or even death.It is from the analysis of a particular scene [which galvanizes the radicality of the abortion test and offers a framework for the expression of the temporality specific to this event, which I qualify as traumatic] that this article, which stands at the crossroads of cinema and psychoanalysis, explains adecisive stage in the creative process in Frida Kahlo.Here, the examination of the dialectic between creative process and trauma, allows us to grasp, in the nascent state, the implementation of modes ofpictorial creation which sign a new temporality in his pictorial art.Beyond that, the challenge of the biopic is to succeed on the one hand in weaving, modeling, staging and images the life of this extraordinary artist;and on the other hand to allow the spectator to discover the entanglement between the creative subjectivity of the artist and his work.…”
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3
Acting: The mise en abyss in cinema as a resource of the analytical clinic
Published 2024“…This paper presents a dozen scenarios in which this hypothesis is verified, analyzing the value of plays, paintings, musical segments or directly films within films.…”
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4
Puesta en abismo
Published 2024“…The expression is used to refer to a work that is shown within another, that speaks of it, when the two signifying systems are identical: a story within a story, a painting represented in a painting. (Translator's note from the seminar *The Other Who Does Not Exist and His Ethical Committees*, by Eric Laurent and Jacques-Alain Miller, 2005, p. 110)…”
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5
The Danish Girl
Published 2016“…This essay is about a character that had its counterpart in the history of painting, Einar Wegener Morgens. As well as in the history of human rights that protects sexual diversity. …”
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6
Cinema as a passer of the real
Published 2020“…This articleintroduces this thesis through examples from painting, performance and cinema.…”
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7
The Keñewe or Yamjatrráwich
Published 1943“…The puma and the almost extinct huemul have ceased to be victims of the aboriginal's needs, and the same happens with the hare (Dolichotis patagónica), whose skins, once turned into quillangos, were painted with exclusive designs. The other hare, called "European" in Patagonia to distinguish it from the native one, invaded those lands very recently. …”
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8
A country to eat. Identity and gastronomy in Bigas Luna’s cinema
Published 2020“…Over nearly four decades of intense creative work where he combined his passion for painting with various film projects, the filmmaker built a cinematic universe where it was possible to distinguish some recurring themes. …”
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