Documentary film and genocide. Some ethical problem by Zylberman, Lior

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The memory of the murderers by Laso, Eduardo

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Testimony of the lost image by López Delacruz, Santiago Martín

“…This work aims to offer an approach to the cinematographic representation of genocide or a historical massacre, using the story of a historical world through the concept of representation. …”
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INTERPRETATION OF CRIME OF “MEN RAPE” UNDER INTERNATIONAL CRIMINAL JUSTICE by Liakopoulos, Dimitris

“…The international jurisprudence of international criminal Tribunals and the International Criminal Court has tried to qualify rape either as a crime of genocide in the form of serious bodily and physical injuries, even if not necessarily permanent (lett. b) art. 6 of the Rome Statute; or as a crime against humanity where there are elements of context and above all material elements that emerge from the definitions given by the ad hoc Tribunals and the elements of crimes; or even as a war crime in case it is implemented as a part of a political plan or design, or as part of series of similar crimes committed on a large scale. …”
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Human rights and extension by Chabrando, Victoria, Solis, Ana Carol

“…Our recent history is marked by the traces of genocide, economic plundering and the destruction of social ties that the coups d'état and the civil-military dictatorships of 1955, 1966 and 1976 tried to impose. …”
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The lost image by Renard, Caroline

“…The majority of Rithy Panh’s movies focus on the aftermath of the genocidal Khmer Rouge regime in Cambodia. The Missing Picture offers in 2013, a partially autobiographical approach, accessible to a wide audience. …”
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Memories of insilio. When history creates bridges of orality between the past and the present. by Ortiz, María Laura, Kippes, Germán Nicolás, Clerico , María Constanza, Sansón, Julieta Constanza

“…The depth of the terror generated from the genocidal practices of the State on these people who survived the persecution within the national borders, permeated deeply into their subjectivity and their way of remembering, forgetting and silencing that experience. …”
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