PHOTOGRAPHY AS A NEW VISUAL LANGUAGE IN REVOLUTIONARY RUSSIA. THE CASE OF GROUP LEF (1923-1928) by Finelli, Renata

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Walking through the common knowledge: postcards of Villa Cerro Azul through extension work by Bustos Mantovani, Melina, Letzen, Sara, Rebuffo, Joaquín, Aichino, Gina Lucía, Pedrazzani, Carla Eleonora, Álvarez Ávila, Carolina, Chiavassa, Sergio, Deon, Joaquin

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Images of Horror: An Approach to the Political Potential of Photographs and Audiovisuals in Veganisms through Didi-Huberman, Rancière and Sontag: Uma abordagem do potencial político das fotografias e audiovisuais nos veganismos através de Didi-Huberman, Rancière e Sontag by Zamorano Enríquez , Denisse Alexandra

“…From the perspective of critical animal studies, this text explores the political potential of photographs and films depicting “horror” or containing strong representations of animal pain and suffering. …”
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The photografic workshop as a dynamizer for the awareness of looking by Zapata Ramírez, John Alexander

“…This article reports an experience of a photographic workshop, developed in the subject “Lengua Castellana” with 5th grade students of San Marcos school in Envigado-Colombia.…”
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The good life of Sebastião Salgado: analysis of the film The Salt of the Earth by González, Juan Manuel

“…The text studies the ethical problems that arise from the representation of the pain and suffering of others around the narrative of a life well lived, in reference to the Brazilian photographer Sebastião Salgado, at the levels of the text, the authors, critical reception and historical, cultural and ideological perspectives.…”
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Occipital endocranial variations by Cafferata, Juan Felix

“…This fact has helped us to study, in some isolated bones, which we reproduce photographically in our work, the variations that are usually observed and, above all, to find the explanation for them.…”
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Normative data from the International Affective Picture System (IAPS) in an Argentine sample. Third part by Irrazabal, Natalia, Tonini, Fernando

“…A sample of 623 university students evaluated a total of 360 photographs in the three affective dimensions: valence, activation and dominance. …”
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Cinema in the Vidigal School A philosophy of struggle and resistance in the favela by Fresquet, Adriana, Guedes, Marta

“…From this gesture, an entire field of research is constituted, and with it the discovery and restoration of, in partnership with the Cinemateca of MAM-Rio, of Super-8 images, photographs, and cassette tapes about the resistance of the residents of the Vidigal favela against their removal to the Antares/Santa Cruz Housing Complex in 1977/78. …”
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Notes on the film (Un)Appearing (United Kingdom, 2023), by Piotr Cieplak and Mariana Tello by Hunziker, Paula

“…(Des)Aparecer is a documentary film that follows two protagonists, Gabriel Orge, a photographer from Córdoba known for his large-scale public projections of photos of the disappeared, and Ana Illovich, a survivor of the clandestine detention center "La Perla" and a writer. …”
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“A very particular corner”: heritage disputes in a former clandestine detention center of Rosario city (2015-2019) by Cinto, Agustina

“…The problem is part of an ongoing doctoral research, developed through an ethnographic fieldwork since 2015, which includes participant observations and non-directive interviews, but also documentary and press analysis and photographic record.…”
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Imágenes en tiempos de extensión: “Esta es la universidad peñi” by Vargas Inostroza, Victor

“…What I will present here tries to show an experience of photographic narratives in an Intercultural Meeting, as a space time that allows to recognize senses, interpretations and meanings. …”
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Safeguarding the residential contextual legacy: contributions from the treatment of indicators of heritage sustainability in two fragments of the city of Mar del Plata by Sánchez, Lorena Marina

“…From a mainly qualitative perspective supported by quantitative data, in situ surveys, written sources (previous research, scientific articles, heritage charts), graphical sources (planimetries, photographs, aerial images) and oral sources (surveys, interviews) were articulated. …”
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