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Affects and desubjugation in the formation of a king. Arthur Pendragon in the TV series Merlin
Published 2022“…The TV series Merlin (BBC, 2009-2012) is analysed to show that the fulfilment of Arthur’s Destiny - becoming the legendary king of Camelot - depends on his willingness to open up to socially stigmatised affects in the colonialist, heteropatriarchal Court of his father Uther, thus risking his delegitimization as a subject. …”
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Documents from the past
Published 1916“…The king. Testament of the distinguished founder of the Colegio de Monserrat.…”
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A failed pere-version
Published 2023“…Pier Paolo Pasolini´s film adaptation of Sophocles´ Oedipus The King, offers the peculiarity to joint Oedipus myth and Sofocles´ tragedy, with Sigmund Freud interpretation of the greek tragedy. …”
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COMMUNISM AND COMMUNITY: FROM SHAKESPEARE TO THELONIOUS MONK
Published 2016“…On the one hand, as a world of material plenty, as it is described by Gonzalo in The Tempest and, on the other hand, as a system in which each one has just enough resources within a setting of moderate scarcity, according to some statements found in The King Lear. This outlook of communism as material abundance is congruent with the interpretation advanced by Gerald A. …”
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The Carta Magna. Reflections on its meaning eight centuries later
Published 2015“…The Carta Magna –agreed upon by John, king of England, and a group of bishops and feudal barons of his kingdom who had rebelled its authority in the year 1215- contains general principles on the good use of power. …”
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Reflections on the Me Too movement and its philosophy
Published 2020“…As a producer, Weinstein was the architect of great successes, such as Shakespeare in Love (1998), Gangs of New York (2002), Reservoir Dogs (1992), Pulp Fiction (1994), Smoke (1995), The English Patient (1996) -for which he obtained his first Academy Oscar-, Scream (1996),Inglourious Basterds (2009), The King’s Speech (2010), and The Artist (2011), among many others. …”
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