Ethics Noir in LA by Cañas Pelayo, Marcos Rafael

“…This David Lynch´s movie is the fight between fantasy and reality with elements from ethics and romanticism. …”
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The hypothesis of the hidden painting by Humphreys, Derek

“…Lure or necessity, the construction of an image-movement as the basis of a narrative allows to integrate the experience, including that of trauma, deploying also instances of social recognition, an individual novel, collective myths, of a culture and a history. It is from this idea on the status of the iconic image in cinema, and its link to the fantasy and the civilizing tale, that we will analyze the absent character in Haneke’s Hidden (2005).…”
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Watchmen y psicoanálisis. Doomsday clock, and then… by Mondada, Javier

“…Through the study of Watchmen in its 3 formats: comic, film and series, a dialogue with psychoanalysis is proposed, in order to extract readings that allow us to think about the time, characterized by the threat of cataclysms and large-scale war conflicts, in the framework of a generalized pandemic with its consequent impact on the population. The fantasy of the end of the world, present in Watchmen, is sustained by a common, trans-historical denominator: the object of jouissance, singular for each subject and, therefore, inseparable from his own history. …”
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