Devenir música by Deleuze, Gilles

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Spinoza y las tres "Éticas" by Deleuze, Gilles

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The subversive power of the Body-without-Organs. Eraserhead by David Lynch as a sequel to David Cronemberg’s Crimes of the Future by Campillos Morón, Luis Ángel

“…The objective of this paper is to make a reading of the film Crimes of the Future (2022) by David Cronenberg Crimes of the Future (2022) by David Cronenberg based on the philosophy of Gilles Deleuze and Felix Guattari. Thanks to the concepts of Body-without-Organs, organism and face, we will see that the revolutionary power of the aforementioned film is neutralized. is neutralized. …”
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DAMNED BODIES. PHILOSOPHY, WRITING, AND RACIALIZATION by De Oto, Alejandro, Pósleman, Cristina

“…This article focuses on the conceptual and political crossroads of two contemporary writings, Frantz Fanon´s and Gilles Deleuze and Felix Guattari´s, and it reads them in the precise moment they develop a critique of representation as a philosophical and political category. …”
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FROM BIOPOLITICS TO PSYCHOPOLITICS: COMMUNICATION, POWER AND SUBJECTIVITY BY MICHEL FOUCAULT by Cerruti, Pedro

“…Secondly, it establishes the ways in which his thinking has been resumed by contemporary thinkers who have placed the centrality of communicational techniques of power, such as Maurizio Lazzarato and Byung-Chul Han, and reinterpreted using in both cases Gilles Deleuze's proposals on control societies. In this respect, the focus is on how the concepts of “biopolitics” and “biopower” have been critically retaken as starting points for the construction of notions, such as “noopolitics” and “psychopolitics”, which seek to give account of the forms of power that are exercised no longer on bodies but primarily on the mind or psyche.…”
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Ética, cine y subjetividad by Gómez, Mariana, Michel Fariña, Juan Jorge, Solbakk, Jan Helge

“…De allí que pensadores de la talla de Jorge Luis Borges, Gilles Deleuze, Jacques Lacan, Alain Badiou, Slavoj Zizek, Italo Calvino y Giorgio Agamben, entre otros, se hayan ocupado de su potencia de pensamiento.La relación entre ética y cine se remonta a los orígenes mismos del cinematógrafo, el cual nació en 1895, el mismo año que el psicoanálisis, disciplina y arte que se ocupa del sujeto y las bases estructurales de su condición moral. …”
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SOBRE LA TENSIÓN ENTRE ONTOLOGÍA E HISTORIA: EL SER DE LO POLÍTICO COMO DIFERENCIA by Yabkowski, Nuria

“…Luego recurrimos a los postulados de Gilles Deleuze, porque con ellos podemos desplazar de otra forma la tradicional antinomia entre ontología e historia. …”
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Deleuzian Perspective of Cinema as a Means to Believe in The World Again. An Analysis from The Cinematography of Peter Weir by Muñoz Becerra, Felipe Arthur

“…We focus in part of Peter Weir’s filmography, more precisely in the movies Dead Poets Society and The Truman Show, and we will go in search of the mission entrusted by Gilles Deleuze to the cinema, whose objective is to film the connection between the human being and his world and if part of the cinema created in the past decades has responded to the said call. …”
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