The charm of the forger by Koldobsky, Daniela

“…Despite the confusing yet attractive name of “false documentary” to describe the cinematographic modality with which Orson Welles’s F for Fake (1974) inaugurated an era, his unstoppable recurrence to such distinctive and diverse concepts such as false, falsification, fraud, magic and even truth and lies (both added to the title of the French and Spanish version of the documentary) are not central to this work. …”
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