From Horror to Body Transmutation in The Cinema of David Cronenberg by Brito Alvarado, Xavier

“…The presence of diseases, viruses, sex, violence and the fusion between flesh and inorganic matter have been the constant narratives of David Cronenberg’s cinema, creating a physical and psychological metamorphosis of the characters. …”
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The Cinematographic Origin of Colonialism in Haiti: Zombie Target by Brito Alvarado, Xavier, Rodríguez Caguana, Adriana, Jadán, Diego

“…The premise of this work includes the film White Zombie (1932) and The Legion of Soulless Men; the first film on this theme, in which fantastic narratives are mixed with the politics of the time; and with it, discuss colonialism as a historical discourse that is still valid in societies. …”
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