A poetics of the unfinished: a look at the film Moscow by Eduardo Coutinho
The article discusses Eduardo Coutinho´s film Moscow as a unique case in the filmography of this documentalist, in which the film-work turns to a theatrical creation process that has no other end that the film itself. Instead of opening the eye of the camera to testimonies or scenes from “real life”...
| Found in: |
Portal de Revistas |
|---|---|
| Main Author: | Sobral Costa, Anamaria |
| Format: | Online |
| Language: | spa |
| Published: |
Facultad de Artes. Departamento de Cine y Televisión
2013
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| Online Access: |
https://revistas.unc.edu.ar/index.php/toma1/article/view/9331 |