A poetics of the unfinished: a look at the film Moscow by Eduardo Coutinho
The article discusses Eduardo Coutinho´s film Moscow as a unique case in the filmography of this documentalist, in which the film-work turns to a theatrical creation process that has no other end that the film itself. Instead of opening the eye of the camera to testimonies or scenes from “real life”...
Portal de Revistas
|Main Author:||Sobral Costa, Anamaria|
Facultad de Artes. Departamento de Cine y Televisión