A poetics of the unfinished: a look at the film Moscow by Eduardo Coutinho

The article discusses Eduardo Coutinho´s film Moscow as a unique case in the filmography of this documentalist, in which the film-work turns to a theatrical creation process that has no other end that the film itself. Instead of opening the eye of the camera to testimonies or scenes from “real life”...

Full description

Found in: Portal de Revistas
Main Author: Sobral Costa, Anamaria
Format: Online
Language: spa
Published: Facultad de Artes. Departamento de Cine y Televisión 2013
Online Access: https://revistas.unc.edu.ar/index.php/toma1/article/view/9331