Non-discursive creation: painting/film

This paper addresses a thematic particular linked to Michel Foucault´ and Gilles Deleuze´s concerns, in order to investigate the way in which film –in a cartography closed to other arts– shows and tells. Following Deleuze, the act of creation is inextricably linked to a mode of expression, to a fiel...

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Found in: Portal de Revistas
Main Author: Giménez Hermida, Marcelo Adrián
Format: Online
Language: spa
Published: Facultad de Artes. Departamento de Cine y Televisión 2013
Online Access: https://revistas.unc.edu.ar/index.php/toma1/article/view/9327
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spelling revistas-unc.article-93272017-08-14T18:20:48Z Non-discursive creation: painting/film La creación no discursiva: pintura/cine Giménez Hermida, Marcelo Adrián Cinema; Painting; Artistic practice; Visibilities; Énoncés artes; semiótica; cine Cine; Pintura; Práctica artística; Visibilidades; Enunciados This paper addresses a thematic particular linked to Michel Foucault´ and Gilles Deleuze´s concerns, in order to investigate the way in which film –in a cartography closed to other arts– shows and tells. Following Deleuze, the act of creation is inextricably linked to a mode of expression, to a field, a discipline –in short, a practice–. In this context, our goal is to discover some unique creative operations –that is, proper, exclusive– of which, almost without a doubt, can be estimated a capital object for our culture. We thus explore certain existing links between film and painting on the horizon traced by these thinkers. Este escrito se aboca a una temática particularmente enlazada a las preocupaciones de Michel Foucault y Gilles Deleuze, en pos de indagar la manera en que el cine, sobre una cartografía que le avecina otros haceres artísticos, vincula lo que muestra y lo que enuncia. Si, como postula Deleuze, el acto de creación está indisolublemente ligado a un modo de expresión, a un campo, a una disciplina —en fin, a una práctica—, en tanto nuestra meta es descubrir algunas operaciones creativas singulares —esto es, propias, exclusivas— del que, casi sin dudas, puede ser estimado un objeto capital para nuestra cultura, discurrimos aquí ciertos lazos existentes entre cine y pintura en el horizonte trazado por estos pensadores. Facultad de Artes. Departamento de Cine y Televisión 2013-10-26 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/toma1/article/view/9327 Toma Uno; No 2 (2013): El cine y las otras artes; 61-73 TOMA UNO; No 2 (2013): El cine y las otras artes; 61-73 22504524 23139692 spa https://revistas.unc.edu.ar/index.php/toma1/article/view/9327/10049
institution Universidad Nacional de Córdoba
collection Portal de Revistas
language spa
format Online
author Giménez Hermida, Marcelo Adrián
spellingShingle Giménez Hermida, Marcelo Adrián
Non-discursive creation: painting/film
author_sort Giménez Hermida, Marcelo Adrián
title Non-discursive creation: painting/film
title_short Non-discursive creation: painting/film
title_full Non-discursive creation: painting/film
title_fullStr Non-discursive creation: painting/film
title_full_unstemmed Non-discursive creation: painting/film
title_sort non-discursive creation: painting/film
description This paper addresses a thematic particular linked to Michel Foucault´ and Gilles Deleuze´s concerns, in order to investigate the way in which film –in a cartography closed to other arts– shows and tells. Following Deleuze, the act of creation is inextricably linked to a mode of expression, to a field, a discipline –in short, a practice–. In this context, our goal is to discover some unique creative operations –that is, proper, exclusive– of which, almost without a doubt, can be estimated a capital object for our culture. We thus explore certain existing links between film and painting on the horizon traced by these thinkers.
publisher Facultad de Artes. Departamento de Cine y Televisión
publishDate 2013
url https://revistas.unc.edu.ar/index.php/toma1/article/view/9327
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score 13.56695