Be-life-work: about abstraction, writing and performance
According to Giorgio Agamben, certain artistic expressions during Modernity are characterized by the artist's knotting to his work and to the operation he sets in motion. In this way, any productive or reproductive sense is retracted in terms of emancipation. On the basis of these aesthetic con...
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| Main Authors: | Sastre, Luciana Irene; Universidad Nacional de Córdoba, Huber, Sebastián; Universidad Nacional del Centro de la Provincia de Buenos Aires, Goldar, Soledad Sánchez; Universidad Nacional de Córdoba |
| Format: | Online |
| Language: | spa |
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Facultad de Artes. Centro de Producción e Investigación en Artes
2019
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https://revistas.unc.edu.ar/index.php/ART/article/view/25324 |
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revistas-unc.article-253242019-09-02T19:45:56Z Be-life-work: about abstraction, writing and performance Ser-vida-obra: sobre la abstracción, la escritura y la performance Sastre, Luciana Irene; Universidad Nacional de Córdoba Huber, Sebastián; Universidad Nacional del Centro de la Provincia de Buenos Aires Goldar, Soledad Sánchez; Universidad Nacional de Córdoba action; bodies; writing; performance; system acción; cuerpos; escritura; performance; sistema According to Giorgio Agamben, certain artistic expressions during Modernity are characterized by the artist's knotting to his work and to the operation he sets in motion. In this way, any productive or reproductive sense is retracted in terms of emancipation. On the basis of these aesthetic concepts, the following are some reflections on the process of research and creation carried out within the framework of the project "Performative writings: body and action in ephemerodramas" during "Relation I.". In Black. Trayecto Finlandia", as an experience situated in the installation by the artist Mónica Ostchega carried out at the Genaro Pérez Museum between May and June 2017. The work carried out articulating the method of Repetitive Minimalist Systems (SMR) elaborated by José Sanchis Sinisterra, action art and performative writing allows us to reformulate the agambenian approach and propose that when the arctic machine stops, the link with life is re-established. Según Giorgio Agamben, caracteriza a ciertas expresiones artísticas durante la Modernidad el anudamiento del artista a su obra y a la operación que pone en marcha. De esta manera, se retrae cualquier sentido productivo o reproductivo en términos de emancipación. A partir de estos conceptos estéticos, exponemos a continuación algunas reflexiones en torno al proceso de investigación y creación realizado en el marco del proyecto “Escrituras performáticas: cuerpo y acción en efimerodramas” durante “Relación I. En Negro. Trayecto Finlandia”, como experiencia situada en la instalación de la artista Mónica Ostchega realizada en el Museo Genaro Pérez entre mayo y junio de 2017. El trabajo realizado articulando el método de los Sistemas Minimalistas Repetitivos (SMR) elaborados por José Sanchis Sinisterra, el arte de acción y la escritura performática permite reformular el planteo agambeniano y proponer que cuando la máquina artista se detiene, se reestablece el vínculo con la vida. Facultad de Artes. Centro de Producción e Investigación en Artes CePIA, Facultad de Artes, Universidad Nacional de Córdoba Instituto Nacional del Teatro. CePIA, Facultad de Artes, Universidad Nacional de Córdoba Instituto Nacional del Teatro. 2019-08-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/ART/article/view/25324 Artilugio; Núm. 5 (2019): Temporalidad, contexto y entramados imaginarios; 151-165 2408-462X spa https://revistas.unc.edu.ar/index.php/ART/article/view/25324/24598 https://revistas.unc.edu.ar/index.php/ART/article/view/25324/24617 https://revistas.unc.edu.ar/index.php/ART/article/view/25324/24645 /*ref*/Giorgio Agamben, Homo sacer. El poder soberano y la nuda vida. (Valencia: Pre-Textos: 2010). /*ref*/Giorgio Agamben, “Arqueología de la obra de arte”, Fractal, 78 (enero-abril de 2016). Consultado en marzo de 2019 en: https://www.mxfractal.org/articulos/RevistaFractal78Agamben-2.php /*ref*/Giorgio Agamben, Karman. Court traité sur l'action, la faute et le geste (Seuil: Paris: 2018). Copyright (c) 2019 Artilugio http://creativecommons.org/licenses/by-nc-sa/4.0 |
| institution |
Universidad Nacional de Córdoba |
| collection |
Portal de Revistas |
| language |
spa |
| format |
Online |
| author |
Sastre, Luciana Irene; Universidad Nacional de Córdoba Huber, Sebastián; Universidad Nacional del Centro de la Provincia de Buenos Aires Goldar, Soledad Sánchez; Universidad Nacional de Córdoba |
| spellingShingle |
Sastre, Luciana Irene; Universidad Nacional de Córdoba Huber, Sebastián; Universidad Nacional del Centro de la Provincia de Buenos Aires Goldar, Soledad Sánchez; Universidad Nacional de Córdoba Be-life-work: about abstraction, writing and performance |
| author_sort |
Sastre, Luciana Irene; Universidad Nacional de Córdoba |
| title |
Be-life-work: about abstraction, writing and performance |
| title_short |
Be-life-work: about abstraction, writing and performance |
| title_full |
Be-life-work: about abstraction, writing and performance |
| title_fullStr |
Be-life-work: about abstraction, writing and performance |
| title_full_unstemmed |
Be-life-work: about abstraction, writing and performance |
| title_sort |
be-life-work: about abstraction, writing and performance |
| description |
According to Giorgio Agamben, certain artistic expressions during Modernity are characterized by the artist's knotting to his work and to the operation he sets in motion. In this way, any productive or reproductive sense is retracted in terms of emancipation. On the basis of these aesthetic concepts, the following are some reflections on the process of research and creation carried out within the framework of the project "Performative writings: body and action in ephemerodramas" during "Relation I.". In Black. Trayecto Finlandia", as an experience situated in the installation by the artist Mónica Ostchega carried out at the Genaro Pérez Museum between May and June 2017. The work carried out articulating the method of Repetitive Minimalist Systems (SMR) elaborated by José Sanchis Sinisterra, action art and performative writing allows us to reformulate the agambenian approach and propose that when the arctic machine stops, the link with life is re-established. |
| publisher |
Facultad de Artes. Centro de Producción e Investigación en Artes |
| publishDate |
2019 |
| url |
https://revistas.unc.edu.ar/index.php/ART/article/view/25324 |
| _version_ |
1643644638133747712 |
| score |
13.531257 |