The hypothesis of the hidden painting
Reality, experience, are of the order of the discontinuous, the fragmented. From these pieces of perception, the sequence of images-in-movement is used to organize a narrative, a script that disguises the horror of the gaze, the real behind the continuity. Imaginary or fantasy, which status should w...
Found in: |
Portal de Revistas |
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Main Author: | Humphreys, Derek; Maître de Conférences en Psychopathologie Clinique et Psychanalyse UTRPP – EA 3413 / Université Paris 13 - Sorbonne Paris Cité |
Format: | Online |
Language: | spa |
Published: |
Centro de Investigaciones y Estudios sobre Cultura y Sociedad
2018
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Online Access: |
https://revistas.unc.edu.ar/index.php/eticaycine/article/view/22762 |