The hypothesis of the hidden painting

Reality, experience, are of the order of the discontinuous, the fragmented. From these pieces of perception, the sequence of images-in-movement is used to organize a narrative, a script that disguises the horror of the gaze, the real behind the continuity. Imaginary or fantasy, which status should w...

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Found in: Portal de Revistas
Main Author: Humphreys, Derek; Maître de Conférences en Psychopathologie Clinique et Psychanalyse UTRPP – EA 3413 / Université Paris 13 - Sorbonne Paris Cité
Format: Online
Language: spa
Published: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2018
Online Access: https://revistas.unc.edu.ar/index.php/eticaycine/article/view/22762