DESDE ÁFRICA A LATINOAMÉRICA: ENCUENTRO DIACRÓNICO DE MUJERES PINTORAS

In this article, we propose to explain a situation that presents somecomplexity because it refers to different levels, all of which are givenoff to relate the work of women painters which, despite being producedin different times and contexts such geographically distant betweenthem, they share certa...

Full description

Found in: Portal de Revistas
Main Author: Hernández Rodríguez, María Candelaria
Format: Online
Language: spa
Published: Centro de Estudios Avanzados 2018
Online Access: https://revistas.unc.edu.ar/index.php/contra-relatos/article/view/20134
Summary: In this article, we propose to explain a situation that presents somecomplexity because it refers to different levels, all of which are givenoff to relate the work of women painters which, despite being producedin different times and contexts such geographically distant betweenthem, they share certain biographical circumstances. All in all, we aimto link here all the limitations that they found in their respective artisticpaths, it means, exposing their lives, something crucial in the pathtaken by each of them, from Peru in Latin America, via Canary Islandsuntil South Africa.To this purpose we find appropriate the feminist theory. Which theoryis now plural, heterogeneous, once the scheme has exceeded monolithicEurocentric, of the initial feminism new codes and change thehegemonic discourse. Opens the way for minorities in particular, weare interested in highlighting the importance of autobiography tolegitimize marginalized spaces, mostly in the domestic field. What wewant, taking into account diversity, is to meet the specific testimonyto trace the traits that unifies the experience of a Latin Americanpainter, one of the Canary Islands and Africa.