I look for native images that respond to invasive images. Interview with César González

César González is a writer, poet and filmmaker with several books and fictional works that place him at odds with what happens on a large scale in contemporary cinema. In his work, his own experience of being imprisoned stands out as well as a politicized narrative of what it means to live in the sl...

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Main Authors: Blázquez, Nahuel, Villarreal, Agustín
Format: Online
Language:spa
Published: Facultad de Filosofía y Humanidades. Secretaria de Extensión 2024
Subjects:
Online Access:https://revistas.unc.edu.ar/index.php/EEH/article/view/45449
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author Blázquez, Nahuel
Villarreal, Agustín
author_facet Blázquez, Nahuel
Villarreal, Agustín
author_sort Blázquez, Nahuel
collection Portal de Revistas
description César González is a writer, poet and filmmaker with several books and fictional works that place him at odds with what happens on a large scale in contemporary cinema. In his work, his own experience of being imprisoned stands out as well as a politicized narrative of what it means to live in the slums of the province of Buenos Aires. Thanks to this, the author has received awards, distinctions and multiple accolades that make him an acclaimed artist, but at the same time, someone deeply uncomfortable in his time. How can we construct a text that does not fetishize our interviewer and his work within a contemporary cultural industry that profits from this? In this interview with César we were interested in addressing a particular issue: to understand his perspective on the gaze that the public university constructs on territories socially read as vulnerable, be they prisons or working-class neighborhoods. From our own research interests and based on his work "El fetichismo de la marginalidad" (2021), we wanted to stress the boundaries that produce cultural goods, university interventions and state forms of managing differences and otherness.
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spelling oai:ojs.revistas.unc.edu.ar:article-454492024-07-03T12:14:44Z I look for native images that respond to invasive images. Interview with César González Busco imágenes nativas que respondan a las imágenes invasoras. Entrevista a César González Procuro imagens nativas que respondam a imagens invasivas. Entrevista com César González Blázquez, Nahuel Villarreal, Agustín university interventions fetishism of marginality imprisonment intervenciones universitarias fetichismo de la marginalidad prisión intervenções universitárias fetichismo da marginalidade prisão César González is a writer, poet and filmmaker with several books and fictional works that place him at odds with what happens on a large scale in contemporary cinema. In his work, his own experience of being imprisoned stands out as well as a politicized narrative of what it means to live in the slums of the province of Buenos Aires. Thanks to this, the author has received awards, distinctions and multiple accolades that make him an acclaimed artist, but at the same time, someone deeply uncomfortable in his time. How can we construct a text that does not fetishize our interviewer and his work within a contemporary cultural industry that profits from this? In this interview with César we were interested in addressing a particular issue: to understand his perspective on the gaze that the public university constructs on territories socially read as vulnerable, be they prisons or working-class neighborhoods. From our own research interests and based on his work "El fetichismo de la marginalidad" (2021), we wanted to stress the boundaries that produce cultural goods, university interventions and state forms of managing differences and otherness. César González es escritor, poeta y cineasta con diversos libros y obras ficcionales que lo ubican a contramano de lo que sucede a gran escala en el cine contemporáneo. En su obra, sobresale la propia experiencia de estar preso como así también una narrativa politizada de lo que implica vivir en las villas miserias de la provincia de Buenos Aires. Gracias a ello, el autor ha recibido premios, distinciones y múltiples elogios que lo convierten en un artista consagrado, pero al mismo tiempo, en alguien profundamente incómodo en su tiempo.  ¿De qué modo construir un texto que no fetichice a nuestro entrevistador y su obra dentro de una industria cultural contemporánea que lucra con esto? En esta entrevista con César nos interesó abordar un tema particular: comprender cuál es su perspectiva en torno a la mirada que construye la universidad pública sobre territorios socialmente leídos como vulnerables, sean estos la prisión o los barrios populares. Desde nuestros propios intereses de pesquisa y partiendo de su obra “El fetichismo de la marginalidad” (2021), quisimos tensionar las fronteras que producen bienes culturales, intervenciones universitarias y formas estatalizadas de administrar las diferencias y alteridades. César González é um escritor, poeta e cineasta com vários livros e obras de ficção que o colocam em dissonância com o que está acontecendo em grande escala no cinema contemporâneo. Na sua obra, destaca-se a sua própria experiência prisional e uma narrativa politizada daquilo que significa viver nas villas miserias do estado de Buenos Aires. Graças a isso, o autor tem recebido prémios, distinções e múltiplos elogios que fazem dele um artista aclamado, mas ao mesmo tempo, alguém profundamente desconfortável no seu tempo.  Como construir um texto que não fetichize o nosso entrevistador e a sua obra numa indústria cultural contemporânea que lucra com isso? Nesta entrevista com César, interessava-nos abordar uma questão particular: compreender a sua perspetiva sobre o olhar que a universidade pública constroi sobre territórios socialmente lidos como vulneráveis, sejam eles as prisões ou bairros populares. A partir dos nossos próprios interesses de investigação e com base na sua obra "El fetichismo de la marginalidad"(2021), quisemos questionar as fronteiras que produzem os bens culturais, as intervenções universitárias e as formas estatais de administração da diferença e da alteridade.  Facultad de Filosofía y Humanidades. Secretaria de Extensión 2024-06-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/EEH/article/view/45449 E+E: Estudios de Extensión en Humanidades; Vol. 11 Núm. 17 (2024): Habitar lo común. Formas en que la extensión universitaria toma presencia desde haceres entramados 1853-8088 1852-0278 spa https://revistas.unc.edu.ar/index.php/EEH/article/view/45449/45408 https://creativecommons.org/licenses/by-nc-sa/4.0
spellingShingle university interventions
fetishism of marginality
imprisonment
intervenciones universitarias
fetichismo de la marginalidad
prisión
intervenções universitárias
fetichismo da marginalidade
prisão
Blázquez, Nahuel
Villarreal, Agustín
I look for native images that respond to invasive images. Interview with César González
title I look for native images that respond to invasive images. Interview with César González
title_alt Busco imágenes nativas que respondan a las imágenes invasoras. Entrevista a César González
Procuro imagens nativas que respondam a imagens invasivas. Entrevista com César González
title_full I look for native images that respond to invasive images. Interview with César González
title_fullStr I look for native images that respond to invasive images. Interview with César González
title_full_unstemmed I look for native images that respond to invasive images. Interview with César González
title_short I look for native images that respond to invasive images. Interview with César González
title_sort i look for native images that respond to invasive images interview with cesar gonzalez
topic university interventions
fetishism of marginality
imprisonment
intervenciones universitarias
fetichismo de la marginalidad
prisión
intervenções universitárias
fetichismo da marginalidade
prisão
topic_facet university interventions
fetishism of marginality
imprisonment
intervenciones universitarias
fetichismo de la marginalidad
prisión
intervenções universitárias
fetichismo da marginalidade
prisão
url https://revistas.unc.edu.ar/index.php/EEH/article/view/45449
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