What burns in Candelaria is life

The definition of the feminine as jouissance constitutes the starting point of the article. Logic and consequence of such definition unfold, also the resonances with some authors of difference feminism. The film Candelaria, a latin american co-production and directed by Jhonny Hendrix Hinestroza, is...

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Main Author: Virgilí Pino, Dalia
Format: Online
Language:spa
Published: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2021
Subjects:
Online Access:https://revistas.unc.edu.ar/index.php/eticaycine/article/view/35928
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author Virgilí Pino, Dalia
author_facet Virgilí Pino, Dalia
author_sort Virgilí Pino, Dalia
collection Portal de Revistas
description The definition of the feminine as jouissance constitutes the starting point of the article. Logic and consequence of such definition unfold, also the resonances with some authors of difference feminism. The film Candelaria, a latin american co-production and directed by Jhonny Hendrix Hinestroza, is taken as a reference to account for the difficulties of capturing the feminine jouissance, either through the gaze or any instinctual aspect as well as through language.
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institution Universidad Nacional de Cordoba
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spelling oai:ojs.revistas.unc.edu.ar:article-359282021-12-08T02:27:02Z What burns in Candelaria is life Lo que arde en Candelaria es la vida Virgilí Pino, Dalia feminine jouissance Other feminism look goce femenino Otro feminismo mirada The definition of the feminine as jouissance constitutes the starting point of the article. Logic and consequence of such definition unfold, also the resonances with some authors of difference feminism. The film Candelaria, a latin american co-production and directed by Jhonny Hendrix Hinestroza, is taken as a reference to account for the difficulties of capturing the feminine jouissance, either through the gaze or any instinctual aspect as well as through language. La definición de lo femenino como goce constituye el punto de partida del artículo. Se despliegan lógica y consecuencia de tal definición, así como las resonancias con algunas autoras del feminismo de la diferencia. Se toma como referencia la película Candelaria, de coproducción latinoamericana y dirigida por Jhonny Hendrix Hinestroza, para dar cuenta de las dificultades de captación del Goce Otro ya sea por la mirada o cualquier vertiente pulsional, así como por el lenguaje. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2021-12-07 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/eticaycine/article/view/35928 10.31056/2250.5415.v11.n3.35928 Ética y Cine Journal; Vol. 11 Núm. 3 (2021): Lo femenino. Varidades, visibilidades y viralidades; 21-24 2250-5415 2250-5660 10.31056/2250.5415.v11.n3 spa https://revistas.unc.edu.ar/index.php/eticaycine/article/view/35928/36033 Derechos de autor 2021 Ética y Cine Journal https://creativecommons.org/licenses/by-sa/4.0/
spellingShingle feminine jouissance
Other
feminism
look
goce femenino
Otro
feminismo
mirada
Virgilí Pino, Dalia
What burns in Candelaria is life
title What burns in Candelaria is life
title_alt Lo que arde en Candelaria es la vida
title_full What burns in Candelaria is life
title_fullStr What burns in Candelaria is life
title_full_unstemmed What burns in Candelaria is life
title_short What burns in Candelaria is life
title_sort what burns in candelaria is life
topic feminine jouissance
Other
feminism
look
goce femenino
Otro
feminismo
mirada
topic_facet feminine jouissance
Other
feminism
look
goce femenino
Otro
feminismo
mirada
url https://revistas.unc.edu.ar/index.php/eticaycine/article/view/35928
work_keys_str_mv AT virgilipinodalia whatburnsincandelariaislife
AT virgilipinodalia loqueardeencandelariaeslavida