360° of fictional reality
On this occasion, in the Audiovisual Debates section we will present the experience of Metro Veinte: Cita Ciega, a short film in virtual reality that tells the story of Juana, a teenager in a wheelchair who goes on a blind date to start hersexuality. Although it is a fictional story, the idea of mak...
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| Format: | Online |
| Language: | spa |
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Facultad de Filosofía y Humanidades. Secretaria de Extensión
2020
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| Online Access: | https://revistas.unc.edu.ar/index.php/EEH/article/view/28406 |
| _version_ | 1808111932375302144 |
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| author | Ricardi (Texto), Georgina |
| author_facet | Ricardi (Texto), Georgina |
| author_sort | Ricardi (Texto), Georgina |
| collection | Portal de Revistas |
| description | On this occasion, in the Audiovisual Debates section we will present the experience of Metro Veinte: Cita Ciega, a short film in virtual reality that tells the story of Juana, a teenager in a wheelchair who goes on a blind date to start hersexuality. Although it is a fictional story, the idea of making a short film on this subject arises from the experience of Rosario Perazolo Masjoan, a girl from Cordoba who became famous after she was not allowed to go bowling with her wheelchair in the city of Cordoba. After her letter went viral, Rosario participated in a TED talk, and it was there that producer Ezequiel Lenardón found out about her story and proposed that she make a documentary. Beyond the plot -absolutely interesting and disruptive- Metro Veinte: Cita Ciega has the particularity of being completely made in virtual reality 360°, technology that, through special helmets, offers the viewer a modern experience,close and fascinating. The images that we will share here were taken during the local presentation of the short film at the Bouwer women's prison in September 2019, as part of the Reading and Writing Letters Workshop: Story Factory, which is held weekly at Prison No. 3 for women in Cordoba, through the University Program in the Prison (PUC) and the Secretariat of Extension of the Faculty of Philosophy and Humanities of the National University of Cordoba. |
| format | Online |
| id | oai:ojs.revistas.unc.edu.ar:article-28406 |
| institution | Universidad Nacional de Cordoba |
| language | spa |
| publishDate | 2020 |
| publisher | Facultad de Filosofía y Humanidades. Secretaria de Extensión |
| record_format | ojs |
| spelling | oai:ojs.revistas.unc.edu.ar:article-284062023-10-25T17:41:45Z 360° of fictional reality 360° de realidad ficcionada 360° de realidade ficcional Ricardi (Texto), Georgina On this occasion, in the Audiovisual Debates section we will present the experience of Metro Veinte: Cita Ciega, a short film in virtual reality that tells the story of Juana, a teenager in a wheelchair who goes on a blind date to start hersexuality. Although it is a fictional story, the idea of making a short film on this subject arises from the experience of Rosario Perazolo Masjoan, a girl from Cordoba who became famous after she was not allowed to go bowling with her wheelchair in the city of Cordoba. After her letter went viral, Rosario participated in a TED talk, and it was there that producer Ezequiel Lenardón found out about her story and proposed that she make a documentary. Beyond the plot -absolutely interesting and disruptive- Metro Veinte: Cita Ciega has the particularity of being completely made in virtual reality 360°, technology that, through special helmets, offers the viewer a modern experience,close and fascinating. The images that we will share here were taken during the local presentation of the short film at the Bouwer women's prison in September 2019, as part of the Reading and Writing Letters Workshop: Story Factory, which is held weekly at Prison No. 3 for women in Cordoba, through the University Program in the Prison (PUC) and the Secretariat of Extension of the Faculty of Philosophy and Humanities of the National University of Cordoba. En esta oportunidad, en la sección Debates Audiovisuales presentaremos la experiencia de Metro Veinte: Cita Ciega, un cortometraje en realidad virtual que narra la historia de Juana, una adolescente en silla de ruedas que concurre a una cita a ciegas para iniciar su sexualidad. Si bien es una historia de ficción, la idea de realizar un corto sobre esta temática surge a partir de la experiencia de Rosario Perazolo Masjoan, una chica cordobesa que cobró notoriedad a partir de un escrito que publicó luego de que no la dejaran entrar a un boliche con su silla de ruedas en la ciudad de Córdoba. Luego de que su carta se hiciera viral, Rosario participó de una charla TED, fue allí donde el productor Ezequiel Lenardón se enteró de su historia y le propuso hacer un documental. Más allá del argumento -absolutamente interesante y disruptivo- Metro Veinte: Cita Ciega tiene la particularidad de estar completamente realizado en realidad virtual 360°, tecnología que, a través de cascos especiales, ofrece a lxs espectadorxs una experiencia moderna, cercana y fascinante. Las imágenes que aquí compartiremos fueron tomadas durante la presentación local del cortometraje en la cárcel de mujeres de Bouwer, en septiembre de 2019, en el marco del Taller de lectura y escritura de cartas: Fábrica de Historias, que se dicta semanalmente en el Establecimiento Penitenciario N°3 para mujeres de Córdoba, a través del Programa Universitario en la Cárcel (PUC) y la Secretaría de Extensión de la Facultad de Filosofía y Humanidades de la Universidad Nacional de Córdoba. Nesta ocasião, na seção Debates Audiovisuais apresentaremos a experiência do Metro Veinte: Cita Ciega, um curta em realidade virtual que conta a história de Juana, uma adolescente em cadeira de rodas que vai num encontro às cegas para iniciar suasexualidade. Embora seja uma história fictícia, a idéia de fazer um curta-metragem sobre este tema surge da experiência de Rosario Perazolo Masjoan, uma garota de Córdoba que ficou famosa depois de não poder jogar boliche com sua cadeira de rodas na cidade de Córdoba. Depois que sua carta ficou viral, Rosário participou de uma palestra do TED, e foi lá que o produtor Ezequiel Lenardón descobriu sua história e propôs que ela fizesse um documentário. Além do enredo -absolutamente interessante e perturbador - Metro Veinte: Cita Ciega tem a particularidade de ser totalmente feita em realidade virtual 360°, tecnologia que, através de capacetes especiais, oferece ao espectador uma experiência moderna,próximo e fascinante. As imagens que compartilharemos aqui foram feitas durante a apresentação local do curta-metragem na prisão feminina Bouwer em setembro de 2019, como parte da Oficina de Leitura e Escrita de Cartas: Fábrica de Histórias, que é realizada semanalmente no Presídio nº 3 para mulheres em Córdoba, através do Programa Universitário no Presídio (PUC) e da Secretaria de Extensão da Faculdade de Filosofia e Humanidades da Universidade Nacional de Córdoba. Facultad de Filosofía y Humanidades. Secretaria de Extensión 2020-04-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/EEH/article/view/28406 E+E: Estudios de Extensión en Humanidades; Vol. 7 Núm. 9 (2020): La extensión universitaria interpelada: género, sexualidades y feminismos 1853-8088 1852-0278 spa https://revistas.unc.edu.ar/index.php/EEH/article/view/28406/29575 https://revistas.unc.edu.ar/index.php/EEH/article/view/28406/29598 Derechos de autor 2020 Georgina Ricardi (Texto) https://creativecommons.org/licenses/by-nc-sa/4.0 |
| spellingShingle | Ricardi (Texto), Georgina 360° of fictional reality |
| title | 360° of fictional reality |
| title_alt | 360° de realidad ficcionada 360° de realidade ficcional |
| title_full | 360° of fictional reality |
| title_fullStr | 360° of fictional reality |
| title_full_unstemmed | 360° of fictional reality |
| title_short | 360° of fictional reality |
| title_sort | 360° of fictional reality |
| url | https://revistas.unc.edu.ar/index.php/EEH/article/view/28406 |
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