The agalma of Rome

This article works on the film Roma directed by Alfonso Cuarón (2018), inspired by the director´s childhood and the women who rised him. In this film, a woman from the Mexican aristocracy and her employee face distressing circunstances and invent a knowledge there, without men. Taking this situation...

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Main Author: Suárez, Iara
Format: Online
Language:spa
Published: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2019
Subjects:
Online Access:https://revistas.unc.edu.ar/index.php/eticaycine/article/view/26804
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author Suárez, Iara
author_facet Suárez, Iara
author_sort Suárez, Iara
collection Portal de Revistas
description This article works on the film Roma directed by Alfonso Cuarón (2018), inspired by the director´s childhood and the women who rised him. In this film, a woman from the Mexican aristocracy and her employee face distressing circunstances and invent a knowledge there, without men. Taking this situation as the axis, the work proposes to think about the agglutinating component in contemporary social link, taking the case of feminism as a symptomatic response to the discontents in the civilization, in its difference within the links that come from The-name-of-Father institutions.
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institution Universidad Nacional de Cordoba
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spelling oai:ojs.revistas.unc.edu.ar:article-268042020-02-05T21:17:52Z The agalma of Rome El agalma de Roma Suárez, Iara Social links Anxiety Feminism Family Subjectivity Lazo social Redes Angustia Feminismo Familia Subjetividad This article works on the film Roma directed by Alfonso Cuarón (2018), inspired by the director´s childhood and the women who rised him. In this film, a woman from the Mexican aristocracy and her employee face distressing circunstances and invent a knowledge there, without men. Taking this situation as the axis, the work proposes to think about the agglutinating component in contemporary social link, taking the case of feminism as a symptomatic response to the discontents in the civilization, in its difference within the links that come from The-name-of-Father institutions. En el presente artículo se trabaja la película Roma de Alfonso Cuarón (2018), inspirada en la infancia del director y en las mujeres que lo criaron. En este film,una mujer de la aristocracia mejicana y su empleada se enfrentan a circunstancias angustiosas e inventan un saber hacer allí prescindiendo de los hombres. Tomando como eje esta situación, el presente trabajo se propone pensar cuál es el componente aglutinador en los vínculos sociales contemporáneos, tomando el caso del feminismo como respuesta sintomática al malestar en la cultura, en su diferencia con los vínculos que provienen de las instituciones del Nombre-del-Padre. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2019-12-09 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/eticaycine/article/view/26804 10.31056/2250.5415.v9.n3.26804 Ética y Cine Journal; Vol. 9 Núm. 3 (2019): Pibas. Movimientos, identidades, posiciones; 25-27 2250-5415 2250-5660 10.31056/2250.5415.v9.n3 spa https://revistas.unc.edu.ar/index.php/eticaycine/article/view/26804/28456
spellingShingle Social links
Anxiety
Feminism
Family
Subjectivity
Lazo social
Redes
Angustia
Feminismo
Familia
Subjetividad
Suárez, Iara
The agalma of Rome
title The agalma of Rome
title_alt El agalma de Roma
title_full The agalma of Rome
title_fullStr The agalma of Rome
title_full_unstemmed The agalma of Rome
title_short The agalma of Rome
title_sort agalma of rome
topic Social links
Anxiety
Feminism
Family
Subjectivity
Lazo social
Redes
Angustia
Feminismo
Familia
Subjetividad
topic_facet Social links
Anxiety
Feminism
Family
Subjectivity
Lazo social
Redes
Angustia
Feminismo
Familia
Subjetividad
url https://revistas.unc.edu.ar/index.php/eticaycine/article/view/26804
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AT suareziara elagalmaderoma
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