El Catálogo Colectivo reúne los registros del material que posee cada una de las
bibliotecas de la Universidad Nacional de Córdoba, pudiendo encontrarse colecciones
especializadas y actualizadas en todas las áreas del conocimiento; lo que permite una
amplia visibilidad y garantiza el acceso al patrimonio documental de la Universidad.
Se encuentra disponible para toda la comunidad académica: estudiantes, docentes,
egresados e investigadores.
Si formas parte de la comunidad de la UNC también podés solicitar préstamos de material,
a cualquier biblioteca universitaria, utilizando el servicio de préstamo interbibliotecario,
independientemente de la facultad a la que pertenezcas, la carrera que curses o la cátedra
que dictes.
Documentary film and genocide. Some ethical problem
This article is part of an investigation about the representation of genocides in documentary film. On this occasion, we will concentrate on exposing some ethical problems that may arise in the representation of genocide in documentary films. Documentary theorists such as Brian Winston, Carl Plantin...
This article is part of an investigation about the representation of genocides in documentary film. On this occasion, we will concentrate on exposing some ethical problems that may arise in the representation of genocide in documentary films. Documentary theorists such as Brian Winston, Carl Plantinga, and Bill Nichols have set out two main axes around ethics and documentary: the duties of the filmmaker towards the spectator –in terms of truth-falsehood– and towards the subjects represented. The analysis of this last direction leads to coincide those investigations with the analysis of the genocide studies; that is, the analysis of the “human element”. This article, then, proposes a cross between the analysis of the perpetrator-victimbystander theorized in the context of the genocide studies with those perspectives that have problematized in ethical terms the representation of people in Documentary film. Along the way, we will not only seek to deepen it but also explore what other roles documentary film can establish in the representation of various genocide cases.