Hadewijch. Between mysticism and passion, the superego

This article is based on the film Hadewijch by Bruno Dumont (2009), which is inspired by a young woman whose pain of being pushes her to a fanatical passion until the last consequences. This work lies in the articulation of this film with the fanaticism phenomenon, in one of its versions, mysticism....

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Main Author: Gómez, Mariana
Format: Online
Language:spa
Published: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2018
Subjects:
Online Access:https://revistas.unc.edu.ar/index.php/eticaycine/article/view/22768
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author Gómez, Mariana
author_facet Gómez, Mariana
author_sort Gómez, Mariana
collection Portal de Revistas
description This article is based on the film Hadewijch by Bruno Dumont (2009), which is inspired by a young woman whose pain of being pushes her to a fanatical passion until the last consequences. This work lies in the articulation of this film with the fanaticism phenomenon, in one of its versions, mysticism. It maintains the premise that speaking of fanaticism implies the question of the body and parts of three points: masochism, the feminine and the superego. The question is asked about the superego in all fanatical passions, and its relationship with feminine jouissance. In this way, mysticism is approached from the original masochism, thinking it in relation to the feminine of the superego that pushes to jouissance disproportionately. From a journey through these theoretical categories, we seek to answer what leads Hadewijch to such mystical fanaticism and how far this woman can go by a fanatical love for the other
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spelling oai:ojs.revistas.unc.edu.ar:article-227682019-07-31T16:08:48Z Hadewijch. Between mysticism and passion, the superego Hadewijch. Entre el misticismo y la pasión, el superyó Gómez, Mariana Lo femenino Masoquismo Goce femenino Fanatismo Superyó femenino Cuerpo The feminine Masochism Feminine jouissance Fanaticism Feminine superego Body This article is based on the film Hadewijch by Bruno Dumont (2009), which is inspired by a young woman whose pain of being pushes her to a fanatical passion until the last consequences. This work lies in the articulation of this film with the fanaticism phenomenon, in one of its versions, mysticism. It maintains the premise that speaking of fanaticism implies the question of the body and parts of three points: masochism, the feminine and the superego. The question is asked about the superego in all fanatical passions, and its relationship with feminine jouissance. In this way, mysticism is approached from the original masochism, thinking it in relation to the feminine of the superego that pushes to jouissance disproportionately. From a journey through these theoretical categories, we seek to answer what leads Hadewijch to such mystical fanaticism and how far this woman can go by a fanatical love for the other En el presente artículo se trabaja a partir de la película Hadewijch de Bruno Dumont (2009), la cual está inspirada en una joven a la cual su dolor de existir la empuja a una pasión fanática hasta las últimas consecuencias. El trabajo radica en la articulación de dicha película con el fenómeno del fanatismo, en una de sus versiones, el misticismo. Sostiene la premisa que hablar de fanatismo implica la cuestión del cuerpo y parte de tres puntos: el masoquismo, lo femenino y el superyó. Se pregunta por el superyó en toda pasión fanática, y la relación del mismo con el goce femenino. De este modo se aborda al misticismo desde el masoquismo originario, pensándolo en relación a lo femenino del superyó que empuja a gozar desmesuradamente. A partir de un recorrido por dichas categorías teóricas, se busca responder qué lleva a Hadewijch a tal fanatismo místico y hasta dónde puede llegar esta mujer por un amor fanático hacia el otro. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2018-11-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/eticaycine/article/view/22768 10.31056/2250.5415.v8.n3.22768 Ética y Cine Journal; Vol. 8 Núm. 3 (2018): Fanatismos; 9-14 2250-5415 2250-5660 10.31056/2250.5415.v8.n3 spa https://revistas.unc.edu.ar/index.php/eticaycine/article/view/22768/23037 Derechos de autor 2018 Ética&Cine Journal
spellingShingle Lo femenino
Masoquismo
Goce femenino
Fanatismo
Superyó femenino
Cuerpo
The feminine
Masochism
Feminine jouissance
Fanaticism
Feminine superego
Body
Gómez, Mariana
Hadewijch. Between mysticism and passion, the superego
title Hadewijch. Between mysticism and passion, the superego
title_alt Hadewijch. Entre el misticismo y la pasión, el superyó
title_full Hadewijch. Between mysticism and passion, the superego
title_fullStr Hadewijch. Between mysticism and passion, the superego
title_full_unstemmed Hadewijch. Between mysticism and passion, the superego
title_short Hadewijch. Between mysticism and passion, the superego
title_sort hadewijch between mysticism and passion the superego
topic Lo femenino
Masoquismo
Goce femenino
Fanatismo
Superyó femenino
Cuerpo
The feminine
Masochism
Feminine jouissance
Fanaticism
Feminine superego
Body
topic_facet Lo femenino
Masoquismo
Goce femenino
Fanatismo
Superyó femenino
Cuerpo
The feminine
Masochism
Feminine jouissance
Fanaticism
Feminine superego
Body
url https://revistas.unc.edu.ar/index.php/eticaycine/article/view/22768
work_keys_str_mv AT gomezmariana hadewijchbetweenmysticismandpassionthesuperego
AT gomezmariana hadewijchentreelmisticismoylapasionelsuperyo