The hypothesis of the hidden painting

Reality, experience, are of the order of the discontinuous, the fragmented. From these pieces of perception, the sequence of images-in-movement is used to organize a narrative, a script that disguises the horror of the gaze, the real behind the continuity. Imaginary or fantasy, which status should w...

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Bibliographic Details
Main Author: Humphreys, Derek
Format: Online
Language:spa
Published: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2018
Subjects:
Online Access:https://revistas.unc.edu.ar/index.php/eticaycine/article/view/22762

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