The lost image
The majority of Rithy Panh’s movies focus on the aftermath of the genocidal Khmer Rouge regime in Cambodia. The Missing Picture offers in 2013, a partially autobiographical approach, accessible to a wide audience. Rithy Panh uses clay figures, archival footage, and his narration to describe the atro...
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| Format: | Online |
| Language: | spa |
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Centro de Investigaciones y Estudios sobre Cultura y Sociedad
2018
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| Online Access: | https://revistas.unc.edu.ar/index.php/eticaycine/article/view/22761 |
| _version_ | 1811172813961166848 |
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| author | Renard, Caroline |
| author_facet | Renard, Caroline |
| author_sort | Renard, Caroline |
| collection | Portal de Revistas |
| description | The majority of Rithy Panh’s movies focus on the aftermath of the genocidal Khmer Rouge regime in Cambodia. The Missing Picture offers in 2013, a partially autobiographical approach, accessible to a wide audience. Rithy Panh uses clay figures, archival footage, and his narration to describe the atrocities Cambodia’s Khmer Rouge committed between 1975 and 1979. This movie allows to analyze the question of the construction of the subject facing a traumatic event. In a continuous loop, the narration drives the trauma’s matter from a scene to the other one. Working on the diversity of images leads the trauma in the cinematic material |
| format | Online |
| id | oai:ojs.revistas.unc.edu.ar:article-22761 |
| institution | Universidad Nacional de Cordoba |
| language | spa |
| publishDate | 2018 |
| publisher | Centro de Investigaciones y Estudios sobre Cultura y Sociedad |
| record_format | ojs |
| spelling | oai:ojs.revistas.unc.edu.ar:article-227612019-07-31T15:45:37Z The lost image El sujeto del trauma Renard, Caroline Subject Trauma Memory Absence Alteration of the visible Aesthetic and Politics Sujeto Trauma Memoria Ausencia Alteración de lo visible Estética y Política The majority of Rithy Panh’s movies focus on the aftermath of the genocidal Khmer Rouge regime in Cambodia. The Missing Picture offers in 2013, a partially autobiographical approach, accessible to a wide audience. Rithy Panh uses clay figures, archival footage, and his narration to describe the atrocities Cambodia’s Khmer Rouge committed between 1975 and 1979. This movie allows to analyze the question of the construction of the subject facing a traumatic event. In a continuous loop, the narration drives the trauma’s matter from a scene to the other one. Working on the diversity of images leads the trauma in the cinematic material La mayoría de las películas de Rihty Panh tratan las consecuencias del régimen de Pol Pot en Camboya. La imagen perdida ofrece, en 2013, un enfoque parcialmente autobiográfico, accesible a un público amplio. El cineasta utiliza pequeños muñecos de barro, tomas de archivo y la voz de un narrador para describir las atrocidades cometidas por los Jemeres rojos entre 1975 y 1979. Esta película permite analizar la cuestión de la construcción del sujeto que enfrenta un evento traumático. Su construcción en bucle conduce a materiales traumáticos de una escena a otra y el trabajo sobre la heterogeneidad de las imágenes contribuye a la inscripción del trauma en el material fílmico. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2018-07-02 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/eticaycine/article/view/22761 10.31056/2250.5415.v8.n2.22761 Ética y Cine Journal; Vol. 8 Núm. 2 (2018): Cine y Psicoanálisis: Memorias y luchas; 73-78 2250-5415 2250-5660 10.31056/2250.5415.v8.n2 spa https://revistas.unc.edu.ar/index.php/eticaycine/article/view/22761/23053 Derechos de autor 2018 Ética&Cine Journal |
| spellingShingle | Subject Trauma Memory Absence Alteration of the visible Aesthetic and Politics Sujeto Trauma Memoria Ausencia Alteración de lo visible Estética y Política Renard, Caroline The lost image |
| title | The lost image |
| title_alt | El sujeto del trauma |
| title_full | The lost image |
| title_fullStr | The lost image |
| title_full_unstemmed | The lost image |
| title_short | The lost image |
| title_sort | lost image |
| topic | Subject Trauma Memory Absence Alteration of the visible Aesthetic and Politics Sujeto Trauma Memoria Ausencia Alteración de lo visible Estética y Política |
| topic_facet | Subject Trauma Memory Absence Alteration of the visible Aesthetic and Politics Sujeto Trauma Memoria Ausencia Alteración de lo visible Estética y Política |
| url | https://revistas.unc.edu.ar/index.php/eticaycine/article/view/22761 |
| work_keys_str_mv | AT renardcaroline thelostimage AT renardcaroline elsujetodeltrauma AT renardcaroline lostimage |