Crossroads

A young person and virtuous southern guitar student dreams about becoming a blues musician. To achieve his goal, he defies himself to find a “lost melody” written by the mythical Robert Johnson.The film presents a variant of the legend of the agreement with the devil and it turns out useful to think...

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Bibliographic Details
Main Author: Luzzi, Silvina
Format: Online
Language:spa
Published: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2017
Subjects:
Online Access:https://revistas.unc.edu.ar/index.php/eticaycine/article/view/19725
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author Luzzi, Silvina
author_facet Luzzi, Silvina
author_sort Luzzi, Silvina
collection Portal de Revistas
description A young person and virtuous southern guitar student dreams about becoming a blues musician. To achieve his goal, he defies himself to find a “lost melody” written by the mythical Robert Johnson.The film presents a variant of the legend of the agreement with the devil and it turns out useful to think the nature of the creating act. This article based on Arnold Schoenberg’s contributions, establishes the differences between a craftsman and an artist, contributing a hypothesis on the musical event.
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institution Universidad Nacional de Cordoba
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spelling oai:ojs.revistas.unc.edu.ar:article-197252019-07-27T15:16:03Z Crossroads Cine y música: Arnold Schoenberg y la naturaleza del acto creador Luzzi, Silvina Cine Música Crossroad Schoenberg Artist Event Music A young person and virtuous southern guitar student dreams about becoming a blues musician. To achieve his goal, he defies himself to find a “lost melody” written by the mythical Robert Johnson.The film presents a variant of the legend of the agreement with the devil and it turns out useful to think the nature of the creating act. This article based on Arnold Schoenberg’s contributions, establishes the differences between a craftsman and an artist, contributing a hypothesis on the musical event. Un joven y virtuoso estudiante de guitarra clásica sueña en consagrarse como músico de blues. Para ello se propone encontrar una “melodía perdida” escrita por el mítico Robert Johnson. El film presenta una variante de la leyenda del pacto con el diablo y resulta útil para pensar la naturaleza del acto creador. Este artículo, basado en los aportes de Arnold Schoenberg, establece las diferencias entre un artesano y un artista, aportando una hipótesis sobre el acontecimiento musical. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2017-03-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/eticaycine/article/view/19725 10.31056/2250.5415.v7.n1.19725 Ética y Cine Journal; Vol. 7 Núm. 1 (2017): No hay relación sexual; 73-77 2250-5415 2250-5660 10.31056/2250.5415.v7.n1 spa https://revistas.unc.edu.ar/index.php/eticaycine/article/view/19725/19853 Derechos de autor 2017 Ética&Cine Journal
spellingShingle Cine
Música
Crossroad
Schoenberg
Artist
Event
Music
Luzzi, Silvina
Crossroads
title Crossroads
title_alt Cine y música: Arnold Schoenberg y la naturaleza del acto creador
title_full Crossroads
title_fullStr Crossroads
title_full_unstemmed Crossroads
title_short Crossroads
title_sort crossroads
topic Cine
Música
Crossroad
Schoenberg
Artist
Event
Music
topic_facet Cine
Música
Crossroad
Schoenberg
Artist
Event
Music
url https://revistas.unc.edu.ar/index.php/eticaycine/article/view/19725
work_keys_str_mv AT luzzisilvina crossroads
AT luzzisilvina cineymusicaarnoldschoenbergylanaturalezadelactocreador