Towards a critique of the human sciences
This article is intended to perform a reading of excerpts of the film Salò or the 120 Days of Sodom (1975) by Pier Paolo Pasolini, from a Foucaultian perspective. Basically, from the way Michel Foucault outlined the critical nature of their work, we will seek to problematize the inherent political n...
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| Format: | Online |
| Language: | spa |
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Centro de Investigaciones y Estudios sobre Cultura y Sociedad
2016
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| Online Access: | https://revistas.unc.edu.ar/index.php/eticaycine/article/view/16588 |
| _version_ | 1811172801573289984 |
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| author | Dalmau, Iván Gabriel |
| author_facet | Dalmau, Iván Gabriel |
| author_sort | Dalmau, Iván Gabriel |
| collection | Portal de Revistas |
| description | This article is intended to perform a reading of excerpts of the film Salò or the 120 Days of Sodom (1975) by Pier Paolo Pasolini, from a Foucaultian perspective. Basically, from the way Michel Foucault outlined the critical nature of their work, we will seek to problematize the inherent political nature to the production of knowledge concerning “human”, for which we will focus on the Pasolini’s film. |
| format | Online |
| id | oai:ojs.revistas.unc.edu.ar:article-16588 |
| institution | Universidad Nacional de Cordoba |
| language | spa |
| publishDate | 2016 |
| publisher | Centro de Investigaciones y Estudios sobre Cultura y Sociedad |
| record_format | ojs |
| spelling | oai:ojs.revistas.unc.edu.ar:article-165882019-07-27T14:45:26Z Towards a critique of the human sciences Hacia una crítica de las Ciencias Humanas. Reflexiones foucaulteanas a partir de Saló o Los 120 días de Sodoma de Pier Paolo Pasolini Dalmau, Iván Gabriel Foucault Pasolini Knowledge Body Human Foucault Pasolini Saber Cuerpo Humano This article is intended to perform a reading of excerpts of the film Salò or the 120 Days of Sodom (1975) by Pier Paolo Pasolini, from a Foucaultian perspective. Basically, from the way Michel Foucault outlined the critical nature of their work, we will seek to problematize the inherent political nature to the production of knowledge concerning “human”, for which we will focus on the Pasolini’s film. En el presente artículo se pretende realizar una lectura de fragmentos del film Saló o Los 120 Días de Sodoma (1975) de Pier Paolo Pasolini, desde una perspectivia foucaulteana. Básicamente, a partir del modo en que Michel Foucault perfiló el carácter crítico de su trabajo filosófico, buscaremos problematizar a la politicidad inherente a la producción de saberes respecto de “lo humano”, para lo cual nos enfocaremos en el film pasolineano. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2016-07-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/eticaycine/article/view/16588 10.31056/2250.5415.v6.n2.16588 Ética y Cine Journal; Vol. 6 Núm. 2 (2016): Solo sexo; 37-41 2250-5415 2250-5660 10.31056/2250.5415.v6.n2 spa https://revistas.unc.edu.ar/index.php/eticaycine/article/view/16588/16394 Derechos de autor 2016 Ética&Cine Journal |
| spellingShingle | Foucault Pasolini Knowledge Body Human Foucault Pasolini Saber Cuerpo Humano Dalmau, Iván Gabriel Towards a critique of the human sciences |
| title | Towards a critique of the human sciences |
| title_alt | Hacia una crítica de las Ciencias Humanas. Reflexiones foucaulteanas a partir de Saló o Los 120 días de Sodoma de Pier Paolo Pasolini |
| title_full | Towards a critique of the human sciences |
| title_fullStr | Towards a critique of the human sciences |
| title_full_unstemmed | Towards a critique of the human sciences |
| title_short | Towards a critique of the human sciences |
| title_sort | towards a critique of the human sciences |
| topic | Foucault Pasolini Knowledge Body Human Foucault Pasolini Saber Cuerpo Humano |
| topic_facet | Foucault Pasolini Knowledge Body Human Foucault Pasolini Saber Cuerpo Humano |
| url | https://revistas.unc.edu.ar/index.php/eticaycine/article/view/16588 |
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