Towards a critique of the human sciences

This article is intended to perform a reading of excerpts of the film Salò or the 120 Days of Sodom (1975) by Pier Paolo Pasolini, from a Foucaultian perspective. Basically, from the way Michel Foucault outlined the critical nature of their work, we will seek to problematize the inherent political n...

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Bibliographic Details
Main Author: Dalmau, Iván Gabriel
Format: Online
Language:spa
Published: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2016
Subjects:
Online Access:https://revistas.unc.edu.ar/index.php/eticaycine/article/view/16588
Description
Summary:This article is intended to perform a reading of excerpts of the film Salò or the 120 Days of Sodom (1975) by Pier Paolo Pasolini, from a Foucaultian perspective. Basically, from the way Michel Foucault outlined the critical nature of their work, we will seek to problematize the inherent political nature to the production of knowledge concerning “human”, for which we will focus on the Pasolini’s film.