Showing 1 - 4 results of 4 for search 'Schramm, Werner'Skip to content
Universidad Nacional de Córdoba
U.N.C.
Catálogo colectivo
El Catálogo Colectivo reúne los registros del material que posee cada una de las
bibliotecas de la Universidad Nacional de Córdoba, pudiendo encontrarse colecciones
especializadas y actualizadas en todas las áreas del conocimiento; lo que permite una
amplia visibilidad y garantiza el acceso al patrimonio documental de la Universidad.
Se encuentra disponible para toda la comunidad académica: estudiantes, docentes,
egresados e investigadores.
Si formas parte de la comunidad de la UNC también podés solicitar préstamos de material,
a cualquier biblioteca universitaria, utilizando el servicio de préstamo interbibliotecario,
independientemente de la facultad a la que pertenezcas, la carrera que curses o la cátedra
que dictes.
Werner Schramm (1898–1970) was a German painter. He was born as a son of merchants in Duisburg, Germany. After a classical education, he entered the School of Decorative Arts in Düsseldorf. In 1919 he began painting again after having been interrupted by the First World War. He was influenced by German Expressionism and also by the first expressions of abstract art. The discovery of the Isenheim Altarpiece of Matthias Grünewald, which was temporarily exhibited at the Munich Pinacothek, was a revelation to him and he started his first attempts in Renaissance techniques: a well-performed drawing on a priming of chalk or plaster with a mixture of oil and yolk of an egg as paint.
In 1920 he was appointed decorator at the theatre of Düsseldorf. After his marriage in 1925 to Liselotte Heckmann he lived for a year near Florence and then five years in Paris. During that time he journeyed many times across France. In 1929 he went to Spain. From 1931 he lived with his family in Düsseldorf, West Germany, where he died in 1970.
Provided by Wikipedia
Showing 1 - 4 results of 4 for search 'Schramm, Werner', query time: 0.01s
Refine Results