Showing 1 - 2 results of 2 for search 'Longhi, Alessandro, 1733-1813'Skip to content
Universidad Nacional de Córdoba
U.N.C.
Catálogo colectivo
El Catálogo Colectivo reúne los registros del material que posee cada una de las
bibliotecas de la Universidad Nacional de Córdoba, pudiendo encontrarse colecciones
especializadas y actualizadas en todas las áreas del conocimiento; lo que permite una
amplia visibilidad y garantiza el acceso al patrimonio documental de la Universidad.
Se encuentra disponible para toda la comunidad académica: estudiantes, docentes,
egresados e investigadores.
Si formas parte de la comunidad de la UNC también podés solicitar préstamos de material,
a cualquier biblioteca universitaria, utilizando el servicio de préstamo interbibliotecario,
independientemente de la facultad a la que pertenezcas, la carrera que curses o la cátedra
que dictes.
Alessandro Longhi (12 June 1733 – November 1813) was a Venetianportraitpainter and printmaker in etching (mostly reproductions of paintings). He is known best for his oil portraits of Venetian nobles of state. His father was the famed genre painter Pietro Longhi. He trained under his father and Giuseppe Nogari (1699–1763). Like Sebastiano Bombelli in the prior century, Alessandro Longhi is noted for his zealous full-length depictions of robes and emblems of office. His "tumultuous and unusual (etching) technique shows first-hand knowledge of Rembrandt's etchings", according to Olimpia Theodoli.
Provided by Wikipedia
Showing 1 - 2 results of 2 for search 'Longhi, Alessandro, 1733-1813', query time: 0.03s
Refine Results
Alessandro Longhi (12 June 1733 – November 1813) was a Venetian portrait painter and printmaker in etching (mostly reproductions of paintings). He is known best for his oil portraits of Venetian nobles of state. His father was the famed genre painter Pietro Longhi. He trained under his father and Giuseppe Nogari (1699–1763). Like Sebastiano Bombelli in the prior century, Alessandro Longhi is noted for his zealous full-length depictions of robes and emblems of office. His "tumultuous and unusual (etching) technique shows first-hand knowledge of Rembrandt's etchings", according to Olimpia Theodoli.
Provided by Wikipedia