Theodor W. Adorno

Amidst the vogue enjoyed by existentialism and positivism in early 20th-century Europe, Adorno advanced a dialectical conception of natural history that critiqued the twin temptations of ontology and empiricism through studies of Søren Kierkegaard and Edmund Husserl. As a classically trained pianist whose sympathies with the twelve-tone technique of Arnold Schoenberg resulted in his studying composition with Alban Berg of the Second Viennese School, Adorno's commitment to avant-garde music formed the backdrop of his subsequent writings and led to his collaboration with Thomas Mann on the latter's novel ''Doctor Faustus'' (1947), while the two men lived in California as exiles during the Second World War. Working for the newly relocated Institute for Social Research, Adorno collaborated on influential studies of authoritarianism, antisemitism, and propaganda that would later serve as models for sociological studies the institute carried out in post-war Germany.
Upon his return to Frankfurt, Adorno was involved with the reconstitution of German intellectual life through debates with Karl Popper on the limitations of positivist science, critiques of Martin Heidegger's language of authenticity, writings on German responsibility for the Holocaust, and continued interventions into matters of public policy. As a writer of polemics in the tradition of Friedrich Nietzsche and Karl Kraus, Adorno delivered scathing critiques of contemporary Western culture. Adorno's posthumously published ''Aesthetic Theory'' (1970), which he planned to dedicate to Samuel Beckett, is the culmination of a lifelong commitment to modern art, which attempts to revoke the "fatal separation" of feeling and understanding long demanded by the history of philosophy, and explode the privilege aesthetics accords to content over form and contemplation over immersion. Adorno was nominated for the 1965 Nobel Prize in Literature by Helmut Viebrock. Provided by Wikipedia
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Beethoven : Filosofía de la música / by Adorno, Theodor W., 1903-1969
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Alban Berg : el maestro de la transición ínfima / by Adorno, Theodor W., 1903-1969
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Sobre la música / by Adorno, Theodor W., 1903-1969
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Mahler : una fisiognómica musical / by Adorno, Theodor W., 1903-1969
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Intervenciones; nueve modelos de crítica / by Adorno, Theodor W., 1903-1969
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Televisión y cultura de masas / by Adorno, Theodor W., 1903-1969
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El cine y la música / by Adorno, Theodor W., 1903-1969
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Filosofía de la nueva música / by Adorno, Theodor W., 1903-1969
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Rasgos del nuevo radicalismo de derecha./ by Adorno, Theodor W. 1903-1969
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Correspondencia : (1928-1940) / by Adorno, Theodor W. 1903-1969
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Crítica de la cultura y sociedad. by Adorno, Theodor W. (1903-1969)
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Filosofía de la nueva música / by Adorno, Theodor W., 1903-1969
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Minima moralia: reflexiones desde la vida dañada / by Adorno, Theodor W. 1903-1969
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Escritos sociológicos I. Obra completa 8 / by Adorno, Theodor W. 1903-1969
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Ontología y Dialéctica : lecciones sobre la filosofía de Heidegger / by Adorno, Theodor W., 1903-1969
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Jargon der Eigentlichkeit / by Adorno, Theodor W., 1903-1969
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Teoría estética / by Adorno, Theodor W., 1903-1969
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18
Introducción a la sociología, 1968 / by Adorno, Theodor W., 1903-1969
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Epistemología y ciencias sociales / by Adorno, Theodor W., 1903-1969
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Actualidad de la filosofía / by Adorno, Theodor W., 1903-1969
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